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Serra's works frequently deceive the eye and change your perception as you walk around (and inside) them. In the head-on shot above, the piece appears to list to the left, with a straight up-and-down opening in the center. But the photo below shows that in fact the piece is more of an inverted cone, with an extreme curve to the opening.
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Audry enters the sculpture. Serra's work is meant to be viewed from all sides -- especially the inside.
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Being inside a Serra sculpture is a little disorienting. When we are inside a man-made structure we are used to seeing straight lines, but the walls in a Serra piece are incessantly curving toward and away from you. With no plumb lines to give the eye a vertical reference, the effect can be dizzying.
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The soaring curves of these gigantic two-inch thick iron plates manage to be light and heavy at the same time. ( Each plate is fabricated at a ship-building plant.)
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Here is a really interesting piece on Serra's work as seen on Google maps, including this particular sculpture.
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