Bugs Bunny in "Glen or Glenda"
Saturday, August 29, 2009
Saturday, August 22, 2009
Of fish and prawns.
We went to two movies this week. The first was "District 9," and I liked it a lot without quite loving it. As we came out of the theater, I commented to Audry that I wished some of the key sequences had a little more "Speilberg" to them. I was speaking about cinematic technique, but on terms of story, it actually does have some Speilberg in it. Because the dirty little secret at the heart of "District 9" is that underneath all the social satire and hard-edged action, it is really an R-rated "E.T." And while I wouldn't call it a blazingly original piece of work, it sure shows Hollywood what can be accomplished with wit, talent, and ingenuity instead of big budgets.
So, after all the disappointing crap this summer, the prefab thrills of G.I. Joe and Transformers, at last, a fantasy film that really thrills, that overwhelms the senses, that actually rearranges the way you see the world. But I'm not talking about "District 9." I'm talking about the other film we saw this week, "Ponyo" -- another miracle of cinema from Hayao Miyazaki.
I've been singing Miyazaki's praises since I first saw "Lupin the Third: The Castle of Cagliostro" in 1980. I think "My Neighbor Totoro" and "Spirited Away" are two of the greatest movies ever made. And in this day and age, when animated movies are almost all ugly-looking CG comedies about wisecracking animals, his special brand of of hand-made genius seems especially precious.
Unlike Disney's upcoming "Frog Princess," which seems to be trying to hide its 2-D nature under layers of CG effects, "Ponyo" celebrates its hand-drawn origins: the character designs are simplicity incarnate; the backgrounds are often deliberately sketchy; and in an extended sequence after the heroine unleashes a tsunami of magic on the ocean, the waves come to life with abstract simplicity: they look like something by Hokusai -- if he had illustrated children's books instead of making those famous woodblock prints. Miyazaki's legendary attention to the smallest details of everyday life is present in every scene. (In the sequence where Ponyo opens a thermos, she twists the stopper off exactly as a 6-year-old child would do it.) I won't say anything about the story, except that it accomplishes something that no special effects -- and very few films -- have ever managed: to put pure, unadulterated joy up on the big screen.
(Bonus: voice work by Tina Fey, Liam Neeson, Cate Blanchette, and Matt Damon.) (Matt Damon!)
Here is the trailer. Unfortunately, the official, hi-res trailer can't be embedded. (Click here to see it.). This is a somewhat poorer-resolution version with an incredibly dopey intro by a woman who epically fails to pronounce a single Japanese name right, including the name of the film.
So, after all the disappointing crap this summer, the prefab thrills of G.I. Joe and Transformers, at last, a fantasy film that really thrills, that overwhelms the senses, that actually rearranges the way you see the world. But I'm not talking about "District 9." I'm talking about the other film we saw this week, "Ponyo" -- another miracle of cinema from Hayao Miyazaki.
I've been singing Miyazaki's praises since I first saw "Lupin the Third: The Castle of Cagliostro" in 1980. I think "My Neighbor Totoro" and "Spirited Away" are two of the greatest movies ever made. And in this day and age, when animated movies are almost all ugly-looking CG comedies about wisecracking animals, his special brand of of hand-made genius seems especially precious.
Unlike Disney's upcoming "Frog Princess," which seems to be trying to hide its 2-D nature under layers of CG effects, "Ponyo" celebrates its hand-drawn origins: the character designs are simplicity incarnate; the backgrounds are often deliberately sketchy; and in an extended sequence after the heroine unleashes a tsunami of magic on the ocean, the waves come to life with abstract simplicity: they look like something by Hokusai -- if he had illustrated children's books instead of making those famous woodblock prints. Miyazaki's legendary attention to the smallest details of everyday life is present in every scene. (In the sequence where Ponyo opens a thermos, she twists the stopper off exactly as a 6-year-old child would do it.) I won't say anything about the story, except that it accomplishes something that no special effects -- and very few films -- have ever managed: to put pure, unadulterated joy up on the big screen.
(Bonus: voice work by Tina Fey, Liam Neeson, Cate Blanchette, and Matt Damon.) (Matt Damon!)
Here is the trailer. Unfortunately, the official, hi-res trailer can't be embedded. (Click here to see it.). This is a somewhat poorer-resolution version with an incredibly dopey intro by a woman who epically fails to pronounce a single Japanese name right, including the name of the film.
Wednesday, August 19, 2009
It's all about selling razors, folks.
Okay, it's kinda funny, but if I were a woman I would be so offended by this.
Wednesday, August 5, 2009
Dude! I have a "Doctor Who" connection!
...Aside, that is, from putting the phrase "Reverse the polarity of the neutron flow" into virtually every TV series I've written since 1978* and having a bunch of Decepticons running around screaming "Exterminate!" in an episode of Transformers.
According to this entry in the Transformers Wiki, the BBC sound effect for the Dalek control room was used in one of my Transformers episodes!
I'm such a hopeless Doctor Who geek that this discovery completely made my day.

"Are you aware that we've been making threats to a test pattern all this time!?"
* Okay, I didn't use it in "Zorro" or "Conan & The Young Warriors," but it is in most of them.
According to this entry in the Transformers Wiki, the BBC sound effect for the Dalek control room was used in one of my Transformers episodes!
I'm such a hopeless Doctor Who geek that this discovery completely made my day.

"Are you aware that we've been making threats to a test pattern all this time!?"
* Okay, I didn't use it in "Zorro" or "Conan & The Young Warriors," but it is in most of them.
Labels:
career highlights,
cartoons,
Daleks,
Doctor Who,
TV
Tuesday, August 4, 2009
Help me, Obi-Wan Kenobi!
Here's the mind-bender of the month: the Geo 600 Gravitational Wave Detector recently began picking up noise believed to be made by the breakdown of the space-time continuum. If true, this would prove that the entire universe is merely a blurry holographic projection of a two-dimensional reality at the boundary of space-time.

And now if you'll excuse me, I have to go lie down...

And now if you'll excuse me, I have to go lie down...
Wednesday, July 29, 2009
Home Movies
are so bloody boring. Which is why I decided that none of the videos of our June trip would be more than ten minutes long. So grab a glass of schnapps, strap yourself in, and enjoy our week in Germany and Austria in under six minutes.
Wednesday, July 22, 2009
My father is in the Smithsonian
Just stumbled across this. I guess Mom must have given them his papers. They also have an audio interview with him from 1971. No idea who interviewed him. (They also have a Teenage Mutant Ninja Turtle in the Smithsonian, so I guess there's a little piece of me in there as well.)
His original Cleveland gallery, of which I have virtually no memory:
His original Cleveland gallery, of which I have virtually no memory:

Saturday, July 18, 2009
So DeForest Kelley walks into D.C. Fontana's office...
...during the filming of the Season Two opening episode of Star Trek, "Amok Time." And with a mischievous grin he tells her a line that's been going around the soundstage:
You have to pay T'Pau
to prong
T'Pring.
Unfortunately, I shut off Audry's little Flip Mino camcorder an instant before Dorothy herself told this anecdote, but I did manage to capture most of the highlights of this historic occasion, the first time Dorothy had met the woman who played T'Pring, Spock's betrothed in the episode.
It all started when Audry introduced Wendy Pini to Arlene Martell, who had a table next to our publishing company's booth at an SF convention. "Amok Time" is one of Wendy's favorite Trek episodes, and when she learned that Arlene has never met Dorothy, she decided to throw a party so the two ladies could meet. By the way, Dorothy was my first story editor, commissioning the animated Star Trek script I wrote with Russell Bates; and Theodore Sturgeon, who wrote "Amok Time," was one of my writing teachers a the Clarion Workshop. (As was Harlan Ellison, who wrote an Outer Limits episode Arlene apeared in, "Demon With a Glass Hand.")
Also in attendance: Marv Wolfman, voice actor Crispin Freeman, and Richard Pini of course. Grab some punch and enjoy.
You have to pay T'Pau
to prong
T'Pring.
Unfortunately, I shut off Audry's little Flip Mino camcorder an instant before Dorothy herself told this anecdote, but I did manage to capture most of the highlights of this historic occasion, the first time Dorothy had met the woman who played T'Pring, Spock's betrothed in the episode.
It all started when Audry introduced Wendy Pini to Arlene Martell, who had a table next to our publishing company's booth at an SF convention. "Amok Time" is one of Wendy's favorite Trek episodes, and when she learned that Arlene has never met Dorothy, she decided to throw a party so the two ladies could meet. By the way, Dorothy was my first story editor, commissioning the animated Star Trek script I wrote with Russell Bates; and Theodore Sturgeon, who wrote "Amok Time," was one of my writing teachers a the Clarion Workshop. (As was Harlan Ellison, who wrote an Outer Limits episode Arlene apeared in, "Demon With a Glass Hand.")
Also in attendance: Marv Wolfman, voice actor Crispin Freeman, and Richard Pini of course. Grab some punch and enjoy.
Friday, July 17, 2009
Best ad of 2008
"Please, this is my chance to be kicked to death in a movie!" Now with Emmy-nominated extra goodness.
Tuesday, July 14, 2009
Yowzah!
From Steve (I wish he was a monkey) Cuden comes this astounding little clip. You may have already seen it, but it's worth a repeat.
Friday, July 3, 2009
Kaboom.
The June 12th eruption of the Sarychev Volcano off the coast of Japan, as seen from the International Space Station:
Thursday, July 2, 2009
The last breakfast of our trip…
was a block down Sixth, at Joe Jr’s, one of those authentic NYC diners (run by Greeks, of course) that serves nothing but great food. Even the fruit cocktail is awesome, as you shall see.
Now I’m back – with a stomach virus, or shellfish poisoning, or something. Blurg.
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